TV has all but abandoned shooting on film. A growing majority of Hollywood blockbusters are 100% digital, with only directors like JJ Abrams and Christopher Nolan insisting their movies still be shot on 35 mm. Even the self-proclaimed "analog" Coen Brothers have speculated that Inside Llewyn Davis will be their last movie shot on film. And, in what might be a sign of things to come, this weekend the LA Times reported that Anchor Man 2 would be the last release for which Paramount makes 35 mm prints for the 8 percent of movie theaters still using film projectors. So why are a handful of films at Sundance 2014 bucking the trend and choosing to shoot on 16 mm film?
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